If you missed the November 10 Sympathetic Magic artists panel discussion, the video recording is now available. Sympathetic Magic: Works of Faith, Healing and Transformation contrasts Christian imagery with ritual objects from China, pre-Columbian North America and modern art as a means to explore ritual. The contemporary artists in this exhibition—Department of Art faculty María… Keep reading
Join us Wednesday, December 1, 3–4 p.m., for the second in a series of drop-in discussions about art and healing. During this informal hour together we will engage in guided activities and conversations about the art on display in the Vanderbilt University Fine Arts Gallery exhibit: Sympathetic Magic. Location: Fine Arts Gallery, Cohen Memorial Hall,… Keep reading
Sympathetic Magic: Works of Faith, Healing and Transformation contrasts Christian imagery with ritual objects from China, pre-Columbian North America and modern art as a means to explore ritual. The contemporary artists in this exhibition—Department of Art faculty María Magdalena Campos-Pons, Raheleh Filsoofi, Jana Harper and alumnus Aiden Layer, BS’19,—draw insight from distinct mediums and diverse… Keep reading
Throughout history and across the planet, people have invariably created objects promoting faith, healing and transformation. Sympathetic Magic presents objects from Vanderbilt University Collections alongside works by modern and contemporary artists, in acknowledgement of the steadfast and uniquely human belief in the transformative power of art. Historical artifacts on view—ranging from votives and tomb objects… Keep reading
Curated by Kevin Murphy Andrew W. Mellon Chair in the Humanities Professor and Chair of the Dept. of History of Art and Architecture Skyscraper Gothic presents an interdisciplinary interpretation of an important—but overlooked—phase in the stylistic development of the tall office building. Among the most beloved examples of American architecture, skyscrapers such as the Woolworth (1913),… Keep reading
Predating Warhol with an art persona as radical as his work, the Japanese-French artist Léonard Tsuguharu Foujita (藤田 嗣治, 1886–1968) might have been a household name akin to Pablo Picasso and Henri Matisse (They were his colleagues in 1920s Paris—even closer friends included Chaim Soutine and Amedeo Modigliani). While working in Montparnasse, Foujita was highly… Keep reading
